Menu
Log in


Log in

News

Members who wish to submit a blog entry should send it to sandiegowriterseditorsguild@gmail.com. A review committee will consider each submission for membership interest and may suggest edits before publishing the submission to the blog. For more information, see Blog or Be Blogged.

  • 14 Feb 2021 6:41 AM | Deleted user


    The San Diego Public Library has announced the opening of the 2020 Local Author Showcase, which includes the 2020 SDWEG Anthology and many outstanding works from member authors. 

    Visit the online showcase to view all the excellent books written by San Diego Authors now on display.

    To view the showcase, click on the link below. (add button with link - https://docs.google.com/presentation/d/e/2PACX-1vT6tmYBEjjomQnNQPxIQ9ZcLBpU51ezyrRFzUljfwpeX2DSXkHRYHqHnXAqpVehl9aN7L0M2NgXDORO/pub?start=false&loop=false&delayms=3000&slide=id.p)

    Library Staff is currently adding the books for circulation, books will be available to check out once this process has been completed. Please check back often.

     


  • 14 Feb 2021 6:37 AM | Deleted user


    The Writers’ Workshop of Asheville, NC, is sponsoring our Annual Poetry Contest, open to any writer regardless of residence. The awards are:

     1ST Place:  Your choice of a 2 night stay at our Mountain Muse B&B in Asheville; or 3 free workshops online; or 10 poems line-edited and revised by our editorial staff

    2nd Place: Two free workshops; or 8 poems line-edited

    3rd Place:  One free workshop, or 5 pages line-edited

    10 Honorable Mentions

    ANNUAL POETRY CONTEST        

    Deadline: Postmarked by March 30, 2021

    Guidelines:

    All work must be unpublished. Each poem should not exceed two pages. Multiple entries are accepted. Your name, address, phone email and title of work should appear on the first page. The entry fee is $25 for every 3 poems. All entries receive comments from the judges.

    Enclose self-sealing SASE for comments and winners' list, and mail to: Poetry Contest, 387 Beaucatcher Road, Asheville, NC  28805.

    Emailed submissions may be sent to writersw@gmail.com with "Poetry Contest" in the subject. Entry fee is payable online at www.twwoa.org

  • 14 Feb 2021 6:35 AM | Deleted user


    Sunspot Literary Journal is seeking articles and essays on working in any creative form. See the full guidelines for examples of the kinds of works we’re interested in.

    Payment: $0.01 per word ($50 US maximum per piece) when published.
    Open: January 1, 2021
    Close: October 31, 2021
    To submit, visit 
    https://sunspotlit.submittable.com/submit/183769/creative-advice-for-creatives

    ***

    Thank you, as always, for all that you do for the creative community!

     


  • 13 Feb 2021 12:41 PM | Anonymous


    Hindsight is a collection of stories about 2020, written by people just like you. The publication seeks nonfiction stories from around the world that capture what it was like to wake up every day to a new normal — whether that means navigating emergencies as a first responder or tying the knot over Zoom. They are particularly interested in material that gets up close and personal with the struggles of 2020, rather than headlines or commentary on current events.

    Hindsight is an independent, one-time publication. Content will be made available in two forms: Some stories will be shared on our website; the very best submissions will be compiled into a print anthology, which will be published in 2021.

    Submission fee: None

    Length: Up to 2,000 words

    Deadline: Rolling

    Compensation: Writers whose work is selected for the print anthology will receive a complimentary hard copy of the book, as well as a digital file.

    To learn more, please visit: www.hindsightbook2020.com

  • 11 Jan 2021 10:46 PM | Anonymous


    There’s a saying among writers that there is nothing new, all writing is just a spinoff from an earlier story, or idea, or writing, and there is some truth to that. Writers often incorporate not only a feel of previously created work, but specific reference to them. The characters in a book may perform a Shakespearean play, some hit song may be playing on the radio, a well-known poem may be hanging on a protaganist’s wall. There are unending varieties of these references.

    How much can you reference someone else’s work, however, before it become plagiarism or copyright infringement? There are legal guidelines that can help you navigate this quandary.

    What is a copyright?

    Copyright is the exclusive right to print, publish, perform, and otherwise use literary, artistic, or musical material. Certain rights automatically exist as soon as the material is created. For example, if you are an artist, as soon as you are finished with the painting, you own a copyright to that painting.

    The material must be fixed in a tangible form before it has any copyright protection. For example, humming a tune doesn’t provide any copyright protection. However, if you write the tune down on paper, then you have a copyright on it.

    Copyright protections do not apply to ideas, and do not protect names or short phrases.

    Default copyright protections exist whether or not you mark them on the work. Placing the notation “Copyright” and the date and owner is a good idea, it puts people on notice that you are claiming copyright protection of something, but that marking in and of itself does not create the rights.

    Copyright protection lasts for the life of the author or creator for their entire life, plus 70 years.

    In order to get more expanded legal protections, including statutory damages for infringement of copyright, you can register your work with the U.S. Copyright office.

    Avoiding copyright infringement?

    When a person holds a copyright to some literary, artistic, or musical material, they hold the exclusive rights to use it. Infringement is the action of someone else using copyrighted material without your permission.

    When you are the one using someone else’s copyrighted work, even if it’s just a small portion of a larger work, start with the assumption that you are infringing unless (1) you have permission; or (2) you are engaged in “fair use” of the material.

    Permission is easy, at least in concept. Say you are an author and you want to quote the lyrics to a song in your novel. You can contact the person who wrote the song, or the company that holds the rights to it (look at the copyright notice on your recording or sheet music) and ask for permission, explaining how you intend to use it. They may agree outright, they may agree for a fee, or they may not agree. One way or another, you will have an explicit understanding as to whether you can legally use it or not.

    I know it seems like permission might be a costly process, but it doesn’t have to be. Keep in mind that referencing their work in your own might give them expanded reach for their own work, especially if you are willing to acknowledge the source and maybe even include a URL or hyperlink to the original source. Good for you, good for them. Obviously, they want to see the context in which their work is being referenced and, if it isn’t flattering, they may not agree.

    “Fair use” is another way you can use someone else’s copyrighted material without being guilty of infringement. “Fair use” is defined by law as use of someone else’s copyrighted work “for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research” (17 U.S.C. § 107). If you are writing an article discussing a pop artist’s recent song release and talk about the opening line of the song (and you quote it) evokes a feeling of nostalgia for the 1950s, etc., you are commenting on it, not infringing. If, however, you are writing a novel and your protagonist sings a song to his love interest that is, verbatim, the lyrics of a popular love song, you are most likely engaged in copyright infringement. Simply crediting the source is not enough for “fair use;” you must be engaged in one of the defined purposes.

    When a court, or the copyright owners and their lawyers before them, consider whether a certain use infringes on a copyright, the following four factors are considered for a “fair use” analysis:

    1. The purpose and character of the use, importantly whether it is a commercial use or something else.
    2. The nature of the copyrighted work.
    3. The amount of the copyrighted work that you used in your project, whether it is the bulk of the copyrighted material or just a fragment.
    4. The effect of the use upon the potential market for, or value of, the copyrighted work.

    Remember that as a writer you probably don’t want to get to this level of analysis. You are a writer, rework your piece to not infringe. If you really think you need to include copyrighted material and can’t easily get permission or feel confident you fall within the definition of “fair use,” talk to a lawyer. Don’t wait until your book is published before fixing this issue.

    Final thoughts

    As a writer, you should be relying on your own creativity, not simply piecing together other people’s creativity. Have pride in your ability to create something new. However, if reference to other people’s creations would be helpful to your work, keep the references short and fragmental. The title of a song, a line or two of lyrics, these are fairly safely not copyright infringement. When it doubt, rewrite or get permission.

    ****

    Melody A. Kramer freelance writer and licensed attorney. This article is not intended as legal advice for any specific client matter and does not create an attorney-client relationship with any readers. 



  • 2 Jan 2021 3:49 PM | Anonymous


    With a new year and new enthusiasm, the San Diego Writers and Editors Guild is pleased to announce a new facelift. We have reimagined and recreated our website to reflect our enthusiasm for the writing and editing community in San Diego.

    Check it out and let us know how we can help you!

  • 1 Jan 2021 7:21 AM | Deleted user


    Write Out Loud (WOL) and the San Diego Central Library present Listen to This: Short Stories Read Aloud. Every Tuesday, readings of favorite classic and modern stories written by the world's best writers, and recommended by Library staff, are performed by professional WOL actors. This program is part of WOL's popular Listen to This program where new stories are released daily for the community to enjoy. Join their growing local and international listenership and receive your free daily story.

  • 20 Dec 2020 7:03 AM | Deleted user


    Sam Warren, a long-time member of SDWEG, was born to a Mennonite family in 1940 and was raised in a small town in Kansas. After attending a business college, he joined the Army in 1959 and was first assigned to Korea, Fort Riley, and then the Walter Reed Army Medical Center.

    Sam started his writing and publishing career in the ‘60s when as an Army sergeant he was attached to the Defense Intelligence Agency and assigned to the American Embassy in Moscow in the middle of the cold war. His first experience as a writer was as a part-time editor of the embassy newsletter, “This Week in Moscow.” He also wrote articles for his hometown newspaper.
    After leaving the service in 1970, he attended Orange Coast College and later started a publishing company that published a number of tabloids including a community newspaper “The Santa Ana Journal,” a military paper “The West Coast Military News” and a Spanish language community tabloid, “El Hispano.” He also published Orange County's first gay newspaper and was the founder of the Orange County Gay and Lesbian Community Center.
    After selling his business in 1980, he moved to San Diego where he was editor of the “Uptown San Diego Examiner” and published the short-lived “Border Business Journal.” His column, “The Baja Beat,“ was published in six community tabloids.
    He wrote and published a number of books, including travel guides, Having Fun in Tijuana, Baja by Night, Sin Diego, and a humor book, The Priest, the Pastor, and the Rabbi.
    In 2000, he was arrested on trumped-up charges at his bed and breakfast in Playas de Tijuana. The corrupt Mexican police stole everything he owned and he spent over three years in Baja prisons. In 2003, an honest lawyer was able to have all the charges dropped. His book, Tales from the Tijuana Jails, was written about his experiences in three Baja California prisons and the people he met inside.
    In addition to book publishing for clients, he was a past-president of the San Diego Writers and Editors Guild and publisher of a webzine for the San Diego writers at SDWriteWay.org.


  • 1 Dec 2020 8:08 AM | Deleted user


    Indie Author Patricia Bossano continues to charm with her compelling style, building vibrant worlds, and creating unique characters.

    True to form, Patricia’s new release casts a spell, sewn from stardust and tradition. Let it touch your heart; wander into the enchanted garden of Love & Homegrown Magic©.

    Our choices tell the story of who we are.”

    From the ashes of burned letters comes a celestial romp, spanning seven decades and two continents.

    Love is the guiding force, even when Maggie, ever the planner, chooses her mind over her heart.

    Family comes first and she has always known her purpose is to be a guiding light to her siblings and, one day, her children. But a dash of destiny, and two loves blessed by the stars tug at Maggie’s heartstrings in a way she could never have planned for.

    Wander into her magical garden, where thorns and perfumed blossoms coexist, through Love and her Homegrown Magic.

    Don’t miss out on this once in a blue moon incantation!
    Order a copy today at Amazon, Barnes & Noble and other fine booksellers.

    Fresh Cuttings:

    “The characters come alive and pull you into their lives. Ms. Bossano paints a vivid portrait that will not let you put it down.” –Brian Peters

    “Having worked on breaking familial patterns and healing ancestral pains, it’s lovely to see it laid out in such a simple way… I love how easily you brought Maggie’s beliefs together to form something that surpasses religion to become faith.” –Yanieke Terband, Alchemy

    “I genuinely enjoyed the way “Love & Homegrown Magic” pulled me through a beautiful variety of emotions. Maggie is very relatable as a mother and the sisterhood feels so real.” –Beta-Reader

    “Love & Homegrown Magic was so easy to read! The story flows so well and the author paints a clear picture for readers to delve into for as many hours as they choose. Be warned, it will take a few minutes to get back to reality after you’ve been in the book for a bit.” –Paul Wold


    Patricia Bossano

    About the Author

    Patricia Bossano has penned several award-winning philosophical fictions and supernatural escapes. She lives and writes in California with her family. Patricia is the Newsletter Editor at San Diego Writers and Editors Guild.

    To learn more about her work please visit: www.PatriciaBossano.com

    Media Queries: Please contact Patricia author@patriciabossano.com

    Love & Homegrown Magic ©

    Published in the U.S. by WaterBearer Press on October 31, 2020.

    978-1-7325093-3-7 (HC) $25.99
    978-1-7325093-4-4 (SC) $15.99
    978-1-7325093-5-1  (e)   $  4.99

    Available at Amazon, Barnes & Noble and other fine booksellers.


  • 1 Dec 2020 7:47 AM | Deleted user


    The Animal Court by S. Faxon transports you to a country on the verge of collapse. The people are starving but the king is blind to the threats that surround him. Unless Gertrude, the king’s advisor, can enact drastic changes, the country she loves will be lost to the animal court. The Animal Court is a fantasy-political and romance novel.

    Now available  here or through Amazon Smile here



    Sarah Faxon, pen name S. Faxon, is a creative warrior. Her writing career spans fifteen fantasy novels, several short stories, and an emerging comic series. S. Faxon’s published novels, The Animal Court and Foreign & Domestic Affairs are about a king and queen’s struggle to maintain power over the country that they love. Foreign & Domestic Affairs was featured in the 54th annual San Diego Public Library’s Local Author Showcase.

    Sarah is a member of the Horror Writers Association, San Diego Writers Ink, and the San Diego Writers and Editors Guild. In November of 2020, Sarah was elected to the SDWEG Board of Directors and will serve as the organization’s President in 2021.

    In an effort to help other authors and creatives on their journeys, Sarah co-stars in the writing-podcast, Semi-Sages of the Pages, available on all of your favorite podcast apps. Sarah also provides a number of services for authors including book trailers, interviews, publishing formatting, and strategic marketing.

    To stay up to date on Sarah’s creative projects, follow her vlog on YouTube and sign up to receive insights from her weekly newsletter.  S. Faxon is available for Zoom and Skype Interviews, meetings, or book club events.

    Most importantly, Sarah loves the sound of rain and the scent of ink on legal pads.

    Sarah's Website


Copyright 2021 San Diego Writers and Editors Guild

Powered by Wild Apricot Membership Software